狩野派 狩野正信 Kano School - Kano Masanobu

桃山時代の狩野派展では、狩野永徳以降、江戸時代の初期、探幽までの狩野派の画家たちに焦点をあてている。

しかし、その前に、それ以前の狩野派について、触れてみたい。

狩野派の祖は、狩野正信と言われている。

狩野正信は、現在の千葉県に生まれ、その後絵を学び、足利氏に使える絵師になった。

その後、30歳のころまでには、活動の拠点を京都に移し、やがて、室町幕府の御用絵師となり、足利義政などに高く評価されていた。

当時は、大和絵は土佐派、漢画は狩野派、という役割が決まっていたようだ。

正信の作品は、障壁画はほとんどが失われ、掛軸などの小品しか残っていない。

何点かしか、目にしたことがないが、水墨画の絵師、という印象が強い。

当時の時代が、求めた絵が、そうした水墨画だったのだろう。

In Kano school Exhibition of Momoyama period, Kano Eitoku later, focused on the painters of the Kano school until the early Edo period.

But before that, about it earlier Kano school, I want to touch.

As a Kano school is said to Kano Masanobu.

Kano Masanobu was born in current Chiba Prefecture, then studied painting, became a painter that can be used to Ashikaga.

Then, by the time 30-year-old, they moved their base of activities in Kyoto, eventually, it becomes Muromachi Shogunate patronage painter, had been highly appreciated by such Yoshimasa Ashikaga.

At that time, Yamato-e is Tosa School, Kanga seems to have been decided role of Kano.

Works of Masanobu, the Shoheki-ga most is lost, not only remaining Pieces such as hanging scroll.

Only a few points, but I have never been to the eye, ink painting of the artist, the impression that it is strong.

At the time of the era, demand was picture, probably was such ink painting.

(Translated by Google Translate)